Preview and Reference Options While making your color corrections, Color Finesse previews your results with options for split-screen wipes to easily compare before-and-after images. Use Color Finesse on a laptop, on a desktop system, or anything else youd like. Thats why Color Finesse is optimized for use on multi-processor systems, and takes full advantage of the SSE instructions on Intel processor systems.Īnd as a software color corrector, Color Finesse 3 doesnt require a specific video card, specific type of slot, or limit you to workstation-style systems with multiple monitors. You dont need to invoke the full Color Finesse UI just to make simple changes, although its always there when you want it. Plug-in User Interface The plug-in user interface gives you access to the most commonly used correction controls directly in the host application.Īvailable controls include HSL and RGB corrections, the hue offset wheels, curves, the auto-correction buttons, and the broadcast limiter. Grading Suite Tools Color Finesse provides the monitoring tools you would expect to find in a grading suite, including waveform monitor, vectorscope, histograms, and correction curve displays.ĭisplays are available individually or in a convenient combination display. Smart Color Limiting and Soft-Clip Color Finesses 32-bit floating-point color space allows you to make radical changes in color and luma levels without clipping, but before final output youll need to bring things back into range.Ĭolor Finesse provides accurate luma soft-clipping, as well as color limiting to meet broadcast standards. Single Button Color Correction Color Finesse 3s Auto-Color and Auto-Exposure buttons give one-click access to your color correction starting point, eliminating color casts, improper white balance, and establishing your black and white points.Īutomated Color Matching Need to match the color in one frame to a color in another frame Color Finesse provides single-button color matching to provide natural-looking color matches without fiddling. Secondary Color Correction Want to change the color of a scarf or punch up a bland gray sky Color Finesses six-channel secondary color corrector allows you to isolate up to six separate colors which can be adjusted for hue, saturation, and hue offset.Įach of the six channels defines a color range based on up to four color samples with settable luma and chroma tolerance, and a range softness control, allowing you to easily isolate colors without harsh edges. Levels control determine input and output black, white, and gray points. Individually adjustable color channel curves (both RGB and HSL) let you define exactly how color levels will be processed. We encourage you to register or enter the site under your name.įlexible Controls Control the gain, gamma, pedestal, hue and saturation of your images.Ĭontrol the overall image, or work with individual color channels.įlexibility is the key to getting just the look you want, and flexibility is what Color Finesse offers with its myriad controls and tools. You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us. However basic customer service and support doesn't meet the standard.At any time you can purchase a serial number from our on-line store, re-run the installer, and enter your serial number to activate the product. I don't intend to malign them in anyway, they are real assets to Adobe and the user community, providing helpful support with a plethora of issues. I'm very grateful to Aldolfo, Todd and all the other Adobe employees who support this and other forums. In contrast, Synthetic Aperture, a smaller company with far fewer resources, responded in minutes to each email. Had he told me to wait several days instead of hours I could have accepted that, a commitment was made and not delivered on. He took my phone number and email address (again. I was told by the tech support person that they needed time to resolve the issue and he would call me back or contact me with in a few hours. When I explained the problem with the Color Finesse serial number they seemed to have no idea what I was referring to. Surely once you have these it should be a simple matter to locate the required information in an online database. I was repeatedly asked for my serial number and case number. What was particularly frustrating in this case was the phone call to Tech support – a route suggested by an email from Adobe – that was lengthy and pointless. I do appreciate all the employees that have helped. I'm happy to report that a few moments ago I received an email containing the appropriate serial number.
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